Month: October 2014

John Carpenter’s Halloween – Review

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It’s the 31st October, happy Halloween everybody!

Whether you’re out on the town dressed like a promiscuous witch, admiring your young child as he/she/it knocks from door to door prompting strangers to fill a bucket with goodies, or carving up a pumpkin into a variety of creative designs – have a spooktastic night!

So what are we doing? Oh, you know, curled up in bed nice and warm watching a good film. Yep, that’s our plan! Our choice of film? None other than John Carpenter’s appropriately titled classic, Halloween. Without further ado, here’s what we thought of it:


The film begins on the night of Halloween, 1963 in the sleepy town of Haddonfield, Illinois. A young Judith Myers (played by Sandy Johnson) has whisked her boyfriend back to her home for a night of unbridled passion. Creeping nearby is a dark presence, skulking around by the windows and observing the couple inside. As Judith and her partner take things to the next level upstairs, the mysterious figure also chooses to take things to the next level – by snatching a knife from the kitchen drawer.  Confronted by a nude Judith, we find out that our mysterious figure is a young Michael Myers and, before Judith can kick Michael out of her room, he stabs her to death.

halloween115 years pass, and Dr Sam Loomis (played by Donald Pleasance) attend at the sanitarium to take an institutionalised and dangerous Michael Myers to a court hearing. It isn’t long though until Sam discovers that Michael has broken free, carjacked them and sped off into the distance. The evil has escaped and is on the loose! This is not a drill, people!

The remainder of the film mostly revolves around Laurie, Linda and Annie – three student friends who love nothing more than boys, weed and massive bell-bottom jeans. Whilst discussing their Halloween night plans, Michael Myers observes from a distance, and we have to say that having Michael pop up occasionally in the background was pretty chilling to watch, particularly when he is in the middle of the clothes line at Laurie’s house and when you just catch a glimpse of his iconic face in the shadows! Mr Carpenter shows all the imitators just how this classic Horror film trademark is done.

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Both Annie and Laurie find themselves babysitting later that evening. Annie, bored of this plan, decides to see her boyfriend instead and cheekily ditches her child with Laurie. Whilst cooking up a bite to eat, she spills a little bit of it on herself which, for some unknown reason, makes her take off almost every single garment she’s wearing(?) (Laura and I love these little quirks in plotlines which don’t quite make sense; we have a good giggle and poke fun a la Mystery Science Theatre 3000. Anyway...) Annie puts these items in the washer and finds herself stuck in the laundry room. She’s not alone. Mike has locked her in there and is looming in the shadows. Two quick trips to her car later, and Mike’s in the back seat (this is one of Laura’s fears, which is understandable – pro tip: never get into an unlocked car before checking the back seat) strangling Annie and slitting her throat. We hear his creepy musical motif as a deceased Annie is carried back into the house.

So, who’s next? Uh oh. It’s Linda! She’s pissed, and has brought back her boyfriend for a night of drunken lust. Whilst the two make love under the watchful eye of a cheeky Jack-o-Lantern, Mike makes his way into the house. (Notice how nobody seems to lock their doors? Basic safety advice!) After intercourse lasting all of 10 seconds, the boyfriend saunters downstairs to get a drink but is soon confronted with Mike – who strangles him, raises him up and plops a knife straight into his chest. Miraculously, the boyfriend stays hung in mid air. I asked Laura, “how do you reckon he’d stay there?” to which she responded “He probably used a sword that time”. Linda is then killed, but not before alerting Laurie – Laurie investigates, discovers the trio of corpses, and things get really tense. Mike is killed – oh, wait he’s alive – three times, and eventually disappears… Duh duh duh.

"Nothing gets me going more than having sexytime while a Jack-o-Lantern watches!" - Linda

“Nothing gets me going more than having sexytime while a Jack-o-Lantern watches!” – Linda

 

If you think about how innovative this film is, then it’s worth based solely on how fresh the film was within the genre. Scary tactics that might appear overdone when compared with today’s films, but this film started the trend and carved the way for so so many countless films to follow. Quite a few years later, the film retains its creep factor which we think is highly impressive. Particularly impressive elements include the haunting music and ominous lurking from Mike.

 

Give it a watch – just maybe not alone?

 

 

The Lampy-metre

(the scale of how many lamps you will need on to sleep after watching)

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Top 5 Films to Watch this Halloween

If you don’t want to out in fancy dress, or answer the door to trick-or-treaters, we understand. We get it. We can think of nothing better than having a big bowl of popcorn and watching a scary film in the dark! We’ve edited together our top 5 picks to make sure you’ll enjoy the scare this Halloween…


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This film really scared us when we first saw it. Ethan Hawke is very good, and this film delivers jumps, real scares and a decent plot too. We felt distinctly creeped out walking home from the cinema after seeing this, which is really what you want from a horror movie…

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Not a scary scary film, but a firm favourite. Who can resist Jack the pumpkin king? We find Oogie boogie very creepy, as well as Sally’s professor… If you want something less scary this year, this cult cartoon is worth a watch. A Tim Burton night with the corpse bride as well sounds pretty good! OK, altogether now…”This is Halloween, this is Halloween…”

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Shockingly, we prefer the remake to the classic. That doesn’t happen very often, but we find the remake to be just that tad more effective at creeping you out. The famous story of the haunted house… it doesn’t get much more halloween-y than Amityville horror!

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A classic, and one not to be overlooked. We will be reviewing this in full on Friday, so please check back then!


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The book of this is the creepiest book Laura has ever read. She still gets freaked out by it, because it’s just that awful. If you want to devour an entire book (along with devouring all of the sweets this halloween), you can’t go wrong with this. The film adaptation is pleasingly accurate, and sure to put you on edge.


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We’d love to know what your plans are this halloween – We are going to check out Ouija, and pop up a review this weekend!

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The Babadook…

“A rumbling sound then three sharp knocks
Ba BA-ba DOOK! DOOK! DOOK!
That’s when you’ll know that he’s around…
You’ll see him if you look.”

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Critically acclaimed by all, a firm-favourite at the Sun Dance festival and with a (current) 95% rating on Rotten Tomatoes, the Babadook had some big boots to fill. Time Out New York said “there goes your good night’s sleep…”, but did the Babadook-dook-dook keep us awake at night?

The film opens with the untimely death of Oskar, Amelia’s husband, and we are shown immediately that Samuel (the boy, played by Noah Wiseman) is anything but normal. Hard to love, clingy and downright unnerving (not to mention weird-looking), one can immediately see that although Amelia is a kind and warm person – she works as a nurse in a retirement home – she has no emotional bond with her son.

Brandishing a home-brewed micro-catapault (at times the booby traps set up by Sam reminded us of the Home Alone series, albeit slightly more sinister) the 6 year old embarks on a series of antagonising events which culminate in his expulsion from school, and this only serves to further drive a wedge between him and his Mother. The reason behind his strange (and incredibly annoying) behaviour? The Babadook.

After a mysterious, unlabelled book arrives in Sam’s bedroom, Amelia and Sam are both understandably shocked by the disturbing contents of the oh-so creepy (but nicely illustrated) story. The creepy illustrations expand into the special effects… the ‘cartoon’ theme is present throughout the entire production. In other films this would have jarred (and basically looked off), but in this instance it perfectly complements both the style and story. A prime example is when the Babadook zips across the bedroom ceiling whilst Amelia watches in sheer terror, in what Chris describes as a ‘road runner-ish’ manner. Jerky and crudely animated and by no means perfect, but ideal in this setting.

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Amelia and Sam find themselves almost entirely shunned from society (apart from the sweet-hearted elderly neighbour) and, along with their dog, they all become isolated within their home. Despite ripping up the book in a bid to get rid of the presence, the book soon returns fully-repaired to her doorstep, with some chilling new additions. Scenes depict Amelia killing the dog, Sam and herself. At this point, things really start to spiral out of control and take a turn for the worst. Essie Davis portrays Amelia’s descent into madness with an almost chilling accuracy. She battles seeing the Babadook impersonate the late Oskar, and this illustrates the entire point of the film. This is not a film with jumpy moments strung together with a flimsy plot, but this is a film that explores something far more dark. It is a psychological terror, and one which explores some very interesting, and possibly controversial, themes.

We found ourselves simultaneously sympathising and fearing her. We can’t commend her performance highly enough – without sounding excessively sycophantic, Essie Davis is a complete babe. Well played, Australia.

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The official flag of Australia (in homage of Essie)

The slowly-paced tension and fear crash together in a violent crescendo, where the Babadook’s predictions seem to have come to fruition and Amelia has finally become the instrument for the inevitable chaos that ensues. Dog-murders and child-strangling aside , Davis’ portrayal is graphic. Incredible. The entire film’s success is based on her performance. One particular scene reminded us of the pantry scene from our favourite classic – The Shining – and Davis’ character evokes the madness that Nicholson had done so well before her. Coming from Laura, The Shining’s biggest fan, this is high praise indeed. The Babadook is Jennifer Kent’s directoral debut, and she has set the bar high. This is not a film that ends when you walk out of the theatre – thought-provoking, chilling and downright scary.

The film ends on a refreshing note – everything is not perfect, and there isn’t a ‘happily ever after’. After all, you can’t get rid of the Babadook…

The Lampy-metre
(the scale of how many lamps you will need on to sleep after watching)

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Film Facts:

  • Directed by: Jennifer Kent
  • Running time: 94 minutes

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